Christopher Wool treats Polaroids of his paintings as a means of self-scrutiny. In MAYBE MAYBE NOT, he has worked over photocopies of the Polaroids again and again with black and white paint that spills over and beyond the pictures. The complex layers of paint evoke a pictorial density about which Wool says, „Those are the paintings I would like to do“. MAYBE MAYBE NOT – this weave of simultaneous, superimposed, juxtaposed layerings seems to be inspired by the many associative reverberations of free jazz.